Self Taping Tips
Updated: May 5
Self tapes are becoming an industry norm, so here are some tips to make you shine with a professional, quality, competitive self-taped audition:
1. Use your iPhone or iPad. We all have one of these, and the HD quality is better than most camcorders. Prop it up on a book, or buy a cheap tripod ($20 on Amazon), and an iPhone clip. You can email the file directly from the phone afterwards, instead of uploading to WeTransfer or Hightail.
2. Use a neutral backdrop. A wall works best. Or buy an inexpensive gray or blue bed sheet and pin it on the wall. Keep it simple and clutter free.
3. Find a quiet room. Turn the TV off, silence your phone, and shut the windows.
4. No shadows. Don’t use overhead lighting, as it creates strong shadows under your eyes and chin. Use natural light,or buy a couple of cheap clip-on lights from your hardware store. Put the lights a little above eye level, on either side of the camera, and use daytime fluorescent bulbs (tungsten bulbs create a less appealing “candlelight” effect). It’s all about the eyes, so make sure they are clearly lit and in focus.
5. Get a good reader. Try to find someone who is an actor (a good one) to sit off-camera and read the scene with you. Make sure when they are reading they are quieter than you, as they will be right next to the camera, and you want the voices to balance out. Also, make sure the reader doesn’t read the stage directions.
6. Check the slate instructions. Sometimes the casting director wants something very specific with the slate, like a full body shot, or a tight close-up and profiles. Make sure you read the original email carefully. If the instructions are to send via YouTube or Vimeo, make sure it’s a private link. If you are uploading into iMovie, you can send directly to Vimeo or Youtube from that application.
7. Slate separately. It’s always better to separate the slate and the scenes, and film as separate takes. It allows a break so you can really get into the character before rolling the camera for your first scene. The slate is directly into camera (name, age, role, agency, etc.). The scenes are to the reader sitting next to the camera. Also, don’t slate in character. Be cool, be natural—be someone the client would want to work with.
8. Use a tight medium frame. The frame should be from the chest up. Be still. Think it and feel it, and the camera will capture it. Don’t pan, and don’t do any handheld. Lock the frame and keep it simple. Too much movement is distracting from the performance. The camera should be at eye level, not below, not above.
9. Sit or stand. It’s a medium shot, so it doesn’t matter, unless it affects your energy. Sometimes if you stand it gives you the scene more life, as a chair or sofa tends to zap the energy. Go with whatever feels right.
10. Eye lines. Never look directly into the camera in a scene unless the stage directions specifically say so. Make the reader the main character in the scene, and connect to that person. If there is another character, imagine someone standing directly on the other side of camera.
11. Set a time limit. Half-hour to an hour max. Don’t overthink it. Be as prepared as possible when you start taping (memorized, strong choices), so that you don’t waste time messing up lines.
12. Always watch it back before sending. You never know if there will be a tech problem. Make sure it looks and sounds good, and is in focus. You want this to be as professional as possible.
13. Look your best. Treat it like a real audition. Make yourself camera ready (hair, makeup, outfit).